zeami motokiyo造句

• Is a famous third category ( plays about women ) by Zeami Motokiyo.
• A similar five-part structure is also used in traditional Japanese Noh drama, particularly by Zeami Motokiyo.
• In 1443, he became the leader of the Kanze acting troupe and thus the second successor to Zeami Motokiyo.
• "" " is a frequently-performed Noh play of the fifth category attributed to Zeami Motokiyo.
• He trained his son Zeami Motokiyo in his style, who eventually succeeded him as director of the Kanze school of Noh.
• It is sometimes attributed to Zeami Motokiyo; the extant version of the text is likely a reworking of a version by a contemporary, InuM
  .
• His writings also established frameworks for the structure of " jM
  ruri " plays, based upon those described by Zeami Motokiyo for the Noh theatre.
• The Hata were also claimed as ancestors by Zeami Motokiyo, the premiere Noh playwright in history, who attributed the origins of Noh to Hata no Kawakatsu.
• A director of one of these companies, Kan'ami ( 1333 1384 ), had a son, Zeami Motokiyo ( 1363 1443 ) who was considered one of the finest child actors in Japan.
• In 1970, KM
  shirM
  appeared in the lead role in " Man of La Mancha " on Kitagawa Utamaro in the musical " Utamaro ", and Zeami Motokiyo in " Musical Zeami ".
• This mode of engaging the nervous system directly has much in common with other mimetic techniques to be found in the history of dance, such as Decroux's rhythm and density within movement, and Zeami Motokiyo's qualitative descriptions for character types.
• In the classical Noh play " Izutsu ", an adaptation by Zeami Motokiyo of from " The Tales of Ise ", portrays Narihira and Ki no Aritsune's daughter as childhood playmates who eventually marry; Narihira is unfaithful to his wife, and her pining spirit appears to a monk after their deaths.